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F.L. Braswell Fine Art

73 East Elm Street
Chicago, Illinois, 60611
312.636.4399
Modern & Contemporary Art

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F.L. Braswell Fine Art

  • Artists
  • Recent Acquisitions
  • Unique Works
  • Art Fairs
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  • Contact
Sunflower III

Joan Mitchell

In 1950s New York, Joan Mitchell was a lively, argumentative member of the famed Cedar Bar crowd, alongside Franz Kline, Willem de Kooning, and other notable first- and second-generation Abstract Expressionist painters. Based on landscape imagery and flowers, her large-scale paintings investigate the potential of big, aggressive brushstrokes and vivid color to convey emotion. "I try to eliminate clichés, extraneous material," she once said. "I try to make it exact. My painting is not an allegory or a story. It is more like a poem." Mitchell, who moved to France in 1959, has had numerous museum exhibitions, and examples of her work hang in nearly all the important public collections of modern art.

Joan Mitchell

In 1950s New York, Joan Mitchell was a lively, argumentative member of the famed Cedar Bar crowd, alongside Franz Kline, Willem de Kooning, and other notable first- and second-generation Abstract Expressionist painters. Based on landscape imagery and flowers, her large-scale paintings investigate the potential of big, aggressive brushstrokes and vivid color to convey emotion. "I try to eliminate clichés, extraneous material," she once said. "I try to make it exact. My painting is not an allegory or a story. It is more like a poem." Mitchell, who moved to France in 1959, has had numerous museum exhibitions, and examples of her work hang in nearly all the important public collections of modern art.

Sunflower III

Sunflower III

1972

Color etching and aquatint

35.5 × 25 inches (sheet)

Publisher, Maeght Editeur, Paris

Printer, Arte Adrien Maeght, Paris

Edition of 75

Signed and numbered in pencil

Provenance: Bank of New York corporate collection: Private collection New York City, NY

$30,000

Weeds I

Weeds I

1992

Lithograph

22.5 x 33.25 inches (two sheets)

Publisher, Tyler Graphics, Mount Kisco, NY

Printer, Tyler Graphics, Mount Kisco, NY

Edition of 25 + proofs

Signed, numbered and dated in pencil

$57,000

Champs (Black, Grey and Green)

Champs (Black, Grey and Green)

1991-1992

Lithograph

30 x 22 inches (sheet)

Publisher, Editions Jean Fournier and Editions de la Difference, Paris

Printer, Atelier Franck Bordas, Paris

A printer’s proof aside from the edition of 125

Signed and annotated in pencil

Provenance: acquired directly from the printer

$17,000

Sunflower I

Sunflower I

1972

Color etching and aquatint

19.5 x 15.5 inches (sheet)

Publisher, Maeght Editeur, Paris

Printer, Arte Adrien Maeght, Paris

Edition of 50

An hors commerce impression signed and annotated in pencil

$12,000

Untitled (from The Poems)

Untitled (from The Poems)

1959 - 1960

Screenprint

17.5 x 16 inches

Publisher, Tiber Press, NY

Printer, Tiber Press, NY

Unique trial proof

Provenance: Estate of Floriano Vecchi (owner of Tiber Press); Anders Wahlstedt Fine Art, New York

$7.000

Untitled (from The Poems)

Untitled (from The Poems)

1959 - 1960

Screenprint

20 x 16 inches

Publisher, Tiber Press, NY

Printer, Tiber Press, NY

Trial proof numbered in pencil 6/17 on verso

Provenance: Estate of Floriano Vecchi (owner of Tiber Press); Anders Wahlstedt Fine Art, New York

$7,000

Tiber Press: The New York School

Tiber Press: The New York School

1960

The complete 4 volume set with silkscreens by Joan Mitchell, Grace Hartigan, Alfred Leslie and Michael Goldberg. 20 silkscreens in total.

17.5 x 14 inches (each)

Publisher, Tiber Press, NY

Printer, Tiber Press, NY

Edition of 200

Signed, numbered in pencil

$12,000

Champs (Black, Grey & Yellow)

Champs (Black, Grey & Yellow)

1991-1992

Lithograph

30 x 22 inches (sheet)

Publisher, Editions Jean Fournier and Editions de la Difference, Paris

Printer, Atelier Franck Bordas, Paris

Edition of 125 + proofs

Signed and numbered in pencil

$15,000

Arbres (Black, Yellow and Blue)

Arbres (Black, Yellow and Blue)

1991-1992

Lithograph

30 x 22 inches (sheet)

Publisher, Editions Jean Fournier and Editions de la Difference, Paris

Printer, Atelier Franck Bordas, Paris

Edition of 125 + proofs

A printer’s proof impression signed and annotated in pencil

Sold

Arbres (Red and Black)

Arbres (Red and Black)

1991-1992

Lithograph

30 x 22 inches (sheet)

Publisher, Editions Jean Fournier and Editions de la Difference, Paris

Printer, Atelier Franck Bordas, Paris

Edition of 125 + proofs

A proof impression signed and numbered in pencil

SOLD

Untitled I (from The Poems)

Untitled I (from The Poems)

1960

Set of three screenprints

17.5 x 14 inches (sheet)

Publisher, Tiber Press, NY

Printer, Tiber Press, NY

Edition 200

Signed on the colophon

Provenance: Ursus Books & Gallery, New York

SOLD

Trees 1

Trees 1

1992

Lithograph

57 x 82 inches (two sheets)

Publisher, Tyler Graphics, Mount Kisco, NY

Printer, Tyler Graphics, Mount Kisco, NY

Edition of 34 + proofs

Signed, numbered and dated in pencil

SOLD

Sunflower VII

Sunflower VII

1972

Color etching and aquatint

35.75 x 25 inches (sheet)

Publisher, Maeght Editeur, Paris

Printer, Arte Adrien Maeght, Paris

An H.C. impression aside from the edition of 75

Signed and annotated in pencil

SOLD

Untitled (from The Poems)

Untitled (from The Poems)

1959 - 1960

Screenprint

17.5 x 16 inches

Publisher, Tiber Press, NY

Printer, Tiber Press, NY

Trial proof numbered in pencil 1/4 on verso

Provenance: Estate of Floriano Vecchi (owner of Tiber Press); Anders Wahlstedt Fine Art, New York

SOLD

Trees II

Trees II

1992

Lithograph

57 x 82 inches (two sheets)

Publisher, Tyler Graphics, Mount Kisco, NY

Printer, Tyler Graphics, Mount Kisco, NY

Edition of 34 + proofs

Signed, numbered and dated in pencil

SOLD